The Pillar of Autonomy, Los Tercios Compas and Zapatista Filmmaking.
The Pillar of Autonomy, Los Tercios Compas and Zapatista Filmmaking.
1-16 pp.
Eduardo Makoszay Mayén.
Visualizing Development. A visual narrative in photo albums.
Visualizing Development. A visual narrative in photo albums.
1-15 pp.
Natalia Castelnuovo Biraben.
Between the concept of archive and the photographic status. Walter Benjamin, Roland Barthes and Jacques Derrida, some relations for the analysis of contemporary artistic practices.
Between the concept of archive and the photographic status. Walter Benjamin, Roland Barthes and Jacques Derrida, some relations for the analysis of contemporary artistic practices.
1-18 pp.
Melina Constantakos.
Heterotopias and heterochronies: the challenges of the ethnography of duration in Brazilian cities (dialogues with Michel Foucault).
Heterotopias and heterochronies: the challenges of the ethnography of duration in Brazilian cities (dialogues with Michel Foucault).
1-29 pp.
Ana Luiza Carvalho da Rocha.
Cornelia Eckert.
Matheus Cervo.
Art, film and political action. Brief historiographic review of the ideas of Bolshevik filmmakers: Dziga Vertov and D’Alexandre Medvedkine.
Art, film and political action. Brief historiographic review of the ideas of Bolshevik filmmakers: Dziga Vertov and D’Alexandre Medvedkine.
1-22 pp.
Adriana Estrada Álvarez.
From the eye-body to the embodied-eye. The use of images in performance-research strategies.
From the eye-body to the embodied-eye. The use of images in performance-research strategies.
1-17 pp.
Wanda Balbé.
Soledad Torres Agüero.