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Revista de Antropología Visual

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Visual memory of subaltern artistic and heritage practices around colonial legacies. Transformation, countervisuality and decolonisation of museums in Chile.

Visual memory of subaltern artistic and heritage practices around colonial legacies. Transformation, countervisuality and decolonisation of museums in Chile.
1-21 pp.
Camila Opazo Sepúlveda.

Do not forget Buenaventura: visual ethnographic essay of the forms of de-territorialization and re-territorialization of life.

Do not forget Buenaventura: visual ethnographic essay of the forms of de-territorialization and re-territorialization of life.
1-26 pp.
Anahí Roca.

Intermedial journey through Última Esperanza and the Milodón cave. Photographs by Martin Gusinde in retrospect.

Intermedial journey through Última Esperanza and the Milodón cave. Photographs by Martin Gusinde in retrospect.
1-31 pp.
Marisol Palma.
Francisco Osorio.

La Fiera: Woman, identity and nation.

La Fiera: Woman, identity and nation.
1-21 pp.
Arlette Cifuentes Meneses.

From laborers to workers. From peasants to farmers. The propaganda of the civil-military dictatorship in El Mercurio (1973-1976).

From laborers to workers. From peasants to farmers. The propaganda of the civil-military dictatorship in El Mercurio (1973-1976).
1-20 pp.
Millaray Cárcamo Hermosilla.

Human beings and animals. Two ways of looking at America: myth and science.

Human beings and animals. Two ways of looking at America: myth and science.
1-12 pp.
Emilio Vargas Poblete.

Cultural heritage and citizen defense: the Central railway Station of Santiago de Chile.

Cultural heritage and citizen defense: the Central railway Station of Santiago de Chile.
1-20 pp.
Sergio González Rodriguez.

The abject and the sinister in body horror. A psychoanalytic and affective perspective.

The abject and the sinister in body horror. A psychoanalytic and affective perspective.
1-16 pp.
Tania Martínez Labra.

Images of interior: advertising of the AUCA Magazine (1965-1973).

Images of interior: advertising of the AUCA Magazine (1965-1973).
1-22 pp.
Luis Carlos Moraga.

“The use of the page as an artistic medium”: Catalina Parra and her work in editorial publications in the 1970s.

“The use of the page as an artistic medium”: Catalina Parra and her work in editorial publications in the 1970s.
1-19 pp.
Valentina Izquierdo Pérez.

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