Revista de Antropología Visual | ISSN: 2452-5189

Blacksmiths, wheels and rotations: Inquiries about blacksmith shops and blacksmiths in the Llanquihue Basin through five photographs from the Museo Colonial Alemán de Frutillar.

Blacksmiths, wheels and rotations: Inquiries about blacksmith shops and blacksmiths in the Llanquihue Basin through five photographs from the Museo Colonial Alemán de Frutillar.

1-18 pp.

Felipe Rodríguez Cerda.

Resilience and visual memory. An educational look at the great 1960 Valdivia earthquake.

Resilience and visual memory. An educational look at the great 1960 Valdivia earthquake.

1-11 pp.

Carolina Maturana Ibáñez.

Marcelo Godoy.

Adrián Silva Pino.

Mariana Urrutia Tobar.

Paulo Yaitul.

The represented image of a gift: The case of the Taltal flake stones.

The represented image of a gift: The case of the Taltal flake stones.

1-22 pp.

Maximiliano Soto Sepúlveda.

Diego Artigas San Carlos.

Audiovisual collections, memory observatories and new cultural heritages: a comparative perspective.

Audiovisual collections, memory observatories and new cultural heritages: a comparative perspective.

1-26 pp.

Isabel Graupera Gargallo.

Quilpué Museum: a visual tour through a local experience.

Quilpué Museum: a visual tour through a local experience.

1-20 pp.

Angelo Villagrán Olivares.

Solange Leiva Mac Lean.

The American biologicism trough Crash.

The American biologicism trough Crash.

1-19 pp.

Juan Manuel Zeballos.

Images of an exhibition frozen in time. Taxidermy in the San Rafael’s Seminary Museum of Valparaíso (MSV).

Images of an exhibition frozen in time. Taxidermy in the San Rafael’s Seminary Museum of Valparaíso (MSV).

1-26 pp.

Carolina Valenzuela Matus.

Luis Chirino-Gálvez.

Archiva Chilena: Representation Practices and Feminist Visual Culture in Contemporary Art Institutions.

Archiva Chilena: Representation Practices and Feminist Visual Culture in Contemporary Art Institutions.

1-17 pp.

Raíza Ribeiro Cavalcanti.

Marisol Facuse Muñoz.

Museography as a point of view: two formats for representing childhood.

Museography as a point of view: two formats for representing childhood.

1-21 pp.

Carolina Aroca Toloza.

Irene de la Jara Morales.

Visual memory of subaltern artistic and heritage practices around colonial legacies. Transformation, countervisuality and decolonisation of museums in Chile.

Visual memory of subaltern artistic and heritage practices around colonial legacies. Transformation, countervisuality and decolonisation of museums in Chile.

1-21 pp.

Camila Opazo Sepúlveda.