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Revista de Antropología Visual

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The Aymara New Year in Cancosa (Tarapacá, Chile). Complementary reciprocity and ethnogenesis through photo-ethnography.

The Aymara New Year in Cancosa (Tarapacá, Chile). Complementary reciprocity and ethnogenesis through photo-ethnography.
1-21 pp.
Pablo Mardones Charlone.
Manuel Díaz Ugarte.

Way for sounds nuances of an inhabited street: Traveling salesman and its pursued tracks.

Way for sounds nuances of an inhabited street: Traveling salesman and its pursued tracks.
118-133 pp.
Priscila Farfan.

The harbour mourns: January 21st 2008, Gabriel Lara's funeral, martyr of the Valparaiso fire department.

The harbour mourns: January 21st 2008, Gabriel Lara's funeral, martyr of the Valparaiso fire department.
93-117 pp.
Paula de la Fuente.
Inés Figueroa.

Profane maps, panoramic sights and alter-native images. Shapes of the Argentine-Chilean southern boundary in Ushuaia.

Profane maps, panoramic sights and alter-native images. Shapes of the Argentine-Chilean southern boundary in Ushuaia.
57-74 pp.
Carlos Masotta.

Drums of the south: an ethnomusicological and audiovisual project about the musical practices in quilombolas communities in Rio Grande do Sul, Brazil.

Drums of the south: an ethnomusicological and audiovisual project about the musical practices in quilombolas communities in Rio Grande do Sul, Brazil.
36-56 pp.
Luciana Prass.

About display and vista of Chaco: Reproduction and aesthetic sensibility of Andean hunting (18th century).

About display and vista of Chaco: Reproduction and aesthetic sensibility of Andean hunting (18th century).
20-35 pp.
Carolina Odone.

Noises of the Duration: practical daily of market in the urban world contemporary. An introduction to the construction of ethnographic collections of images.

Noises of the Duration: practical daily of market in the urban world contemporary. An introduction to the construction of ethnographic collections of images.
1-19 pp.
Viviane Vedana.

Poscolonial criticism, cinematographic performativity and indigenous resistance. Notes for an analysis of the crisis of the indigenist documentary in Ecuador.

Poscolonial criticism, cinematographic performativity and indigenous resistance. Notes for an analysis of the crisis of the indigenist documentary in Ecuador.
85-108 pp.
Christian León.

The hands of the tebo worm (reflections on the visual ethnographic record in the field).

The hands of the tebo worm (reflections on the visual ethnographic record in the field).
201-214 pp.
Guillermo Molina.

One sunday at the end. Ethnographic fragments.

One sunday at the end. Ethnographic fragments.
192-200 pp.
René Barriga.

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