Corpus Christi at San Mateo del Mar (Tehuantepec, Oaxaca, Mexico): Snake dance. Corpus Christi at San Mateo del Mar (Tehuantepec, Oaxaca, Mexico): Snake dance. 104-117 pp. José María Filgueiras Nodar.
Audiovisual Anthropology in Mexico City: The experience of five academic initiatives. Audiovisual Anthropology in Mexico City: The experience of five academic initiatives. 88-103 pp. Valeria Cuevas Zúñiga.
Notes about the visuality produced by Tijuana audiovisual scene. Notes about the visuality produced by Tijuana audiovisual scene. 65-87 pp. Mayra Moreno Barajas.
Ten years of the Visual Anthropology Program of the Universidad Autónoma del Estado de Morelos, México. Ten years of the Visual Anthropology Program of the Universidad Autónoma del Estado de Morelos, México. 50-64 pp. Carlos Y. Flores.
Indigenous People´s Cinema in Mexico during the 1980´s. Indigenous People´s Cinema in Mexico during the 1980´s. 30-49 pp. Alberto Becerril Montekio.
Considerations on Nationalism and Regionalism in Mexican Cinema 1930-1960. Considerations on Nationalism and Regionalism in Mexican Cinema 1930-1960. 17-29 pp. Ricardo Pérez Montfort.
Coexistence, conflict and transformation of the gaze. Think an anthropology of the image. Coexistence, conflict and transformation of the gaze. Think an anthropology of the image. 1-16 pp. Paulo César Correa Valdivia.
Males, screens and revolution: an analysis of male figures in "La hora de los hornos" and "Los traidores" (Argentina 1968-1972). Males, screens and revolution: an analysis of male figures in "La hora de los hornos" and "Los traidores" (Argentina 1968-1972). 112-137 pp. Santiago Luis Navone.
“The Polpaico man”: historical and formal analysis of the most famous chilean worker. “The Polpaico man”: historical and formal analysis of the most famous chilean worker. 86-111 pp. María Cristina Baranlloni Lagos.
Multiple time. Past, present and future in photographic images from subjective experience. Multiple time. Past, present and future in photographic images from subjective experience. 64-85 pp. Agustina Triquell.