Pasar al contenido principal
Servicio del patrimonio cultural Biblioteca Nacional Instituto Barros Arana

Revista de Antropología Visual

Navegación principal

  • Nuestra Revista
  • Instrucciones autores
  • Proceso de evaluación
  • Cuerpo Editorial
  • Normas Editoriales
  • Número actual
  • Ediciones anteriores
  • Estadísticas
    • Indice de citación

Ruta de navegación

  1. Inicio

Oasis and deserts: visualizing the conformation of San Rafael Discrict during the first middle of the XX century (Mendoza, Argentina).

Oasis and deserts: visualizing the conformation of San Rafael Discrict during the first middle of the XX century (Mendoza, Argentina).
72-91 pp.
Cecilia Pérez.

Chinese boxes. Photos inside photos, or photos as things.

Chinese boxes. Photos inside photos, or photos as things.
44-71 pp.
Natalia Fortuny.

For an epistemology of the body: An approach from postmodern ethnography to the concept of ciné-trance. Analysis of the film Moi, un Noir (Rouch, France, 1958).

For an epistemology of the body: An approach from postmodern ethnography to the concept of ciné-trance. Analysis of the film Moi, un Noir (Rouch, France, 1958).
22-43 pp.
Natalia Möller.

The New Argentine Cinema in the 1960S. Ideology and utopia of cinema as a revolutionary weapon.

The New Argentine Cinema in the 1960S. Ideology and utopia of cinema as a revolutionary weapon.
1-21 pp
Juan Pablo Silva.

A visual research experience: the ceremonial songs of Concheros.

A visual research experience: the ceremonial songs of Concheros.
191-207 pp.
Ivork Cordido Demartini.
Nilda Bermúdez Bríñez.

The last chilean whale ship. An historical ethography of Juan 9 (Macaya Hnos. & Cia).

The last chilean whale ship. An historical ethography of Juan 9 (Macaya Hnos. & Cia).
166-190
Daniel Quiroz.
Gastón Carreño.
Alvaro Guerrero.

The spaces of craft creation: the case of tonaltecas ceramic workshops in Mexico.

The spaces of craft creation: the case of tonaltecas ceramic workshops in Mexico.
161/175 pp.
Vanessa Freitag.

Personal pictures: the street art as a communication tool.

Personal pictures: the street art as a communication tool.
140-160 pp.
Brian Gray.

Maracatu and youth identity processes: the plot construction of the newness in the social environment of tradition and experience.

Maracatu and youth identity processes: the plot construction of the newness in the social environment of tradition and experience.
113-139 pp.
Valéria Silva.

“Modern motherhoods and childhoods under discussion. An approach to dialogues and the moral and politic economy of development from eastern Guatemala.

“Modern motherhoods and childhoods under discussion. An approach to dialogues and the moral and politic economy of development from eastern Guatemala.
82-112 pp.
Lorenzo Mariano Juárez.

Paginación

  • Primera página « Primero
  • Página anterior ‹ Anterior
  • …
  • Página 23
  • Página 24
  • Página 25
  • Página 26
  • Página actual 27
  • Página 28
  • Página 29
  • Página 30
  • Página 31
  • …
  • Siguiente página Siguiente >
  • Última página Último »
Suscribirse a
Dirección: Alameda 652, 2º piso, Santiago, Chile. Ver mapa
Tel: +562223605378 | Email: rav@bibliotecanacional.gob.cl
Atención ciudadana | Términos y condiciones de uso
© Servicio Nacional del Patrimonio Cultural