Revista de Antropología Visual | ISSN: 2452-5189

Images of the northeast, the northeast of images. Field notes about the power of nomination, ‘participant video’ and the image of ‘quilombola’.

Images of the northeast, the northeast of images. Field notes about the power of nomination, ‘participant video’ and the image of ‘quilombola’.

33-48 pp.

Peter Anton Zoettl.

The black population from São Paulo and self-representation in cartes de visite produced by the Photographia Americana (1875-1885).

The black population from São Paulo and self-representation in cartes de visite produced by the Photographia Americana (1875-1885).

16-32 pp.

Marcelo Eduardo Leite.

Lake Neltume: Filming immersed in an environmental conflict as a tool of resistance.

Lake Neltume: Filming immersed in an environmental conflict as a tool of resistance.

146-162 pp.

Felipe Hasen.

The descansos of Lago Neltume: Images of the mortuary memories of the Mapuche mountanious communities.

The descansos of Lago Neltume: Images of the mortuary memories of the Mapuche mountanious communities.

124-145 pp.

Pablo Rojas.

Juan Carlos Skewes.

María Pía Poblete.

Men and vegetables: thinking about images.

Men and vegetables: thinking about images.

112-123 pp.

Magda Ribeiro.

Marialba Maretti.

Rodrigo Juvenal.

The Representations of Miraña girls and boys in a Tikuna community.

The Representations of Miraña girls and boys in a Tikuna community.

92-111 pp.

Ronald Quintana.

Oasis and deserts: visualizing the conformation of San Rafael Discrict during the first middle of the XX century (Mendoza, Argentina).

Oasis and deserts: visualizing the conformation of San Rafael Discrict during the first middle of the XX century (Mendoza, Argentina).

72-91 pp.

Cecilia Pérez.

Chinese boxes. Photos inside photos, or photos as things.

Chinese boxes. Photos inside photos, or photos as things.

44-71 pp.

Natalia Fortuny.

For an epistemology of the body: An approach from postmodern ethnography to the concept of ciné-trance. Analysis of the film Moi, un Noir (Rouch, France, 1958).

For an epistemology of the body: An approach from postmodern ethnography to the concept of ciné-trance. Analysis of the film Moi, un Noir (Rouch, France, 1958).

22-43 pp.

Natalia Möller.

The New Argentine Cinema in the 1960S. Ideology and utopia of cinema as a revolutionary weapon.

The New Argentine Cinema in the 1960S. Ideology and utopia of cinema as a revolutionary weapon.

1-21 pp

Juan Pablo Silva.