"In the shadow of the sun" and the twilight of history’s times. "In the shadow of the sun" and the twilight of history’s times. 119 pp. Francisco Gallardo Ibáñez.
The western patagonian: the image of the native american in the image Selknam. The western patagonian: the image of the native american in the image Selknam. 118 pp. Gastón Carreño.
The transfiguration of the indigenous image. The artist, his work and the spectator. The transfiguration of the indigenous image. The artist, his work and the spectator. 117 pp. María Paz Bajas.
The aesthetic transposition of the image of the mapuche native: from the literary text to the cinematic image. The aesthetic transposition of the image of the mapuche native: from the literary text to the cinematic image. 116 pp. Margarita Alvarado.
An experience to investigate filming. An experience to investigate filming. 172-184 pp. María Pozzio.
The graphic representations of children like investigation methodology in a rural context of armed violence in Colombia. The graphic representations of children like investigation methodology in a rural context of armed violence in Colombia. 143-156 Marcela Pinilla.
Chile in the imaginary cinema of the boom (1997-2004). Chile in the imaginary cinema of the boom (1997-2004). 121-142 pp. María Paz Peirano.
Anthropology and image in and from the periphery. Anthropology and image in and from the periphery. 111-120 pp. Marián Moya, Camila Alvarez, Paulo Campano, Débora Lanzeni & Soledad Torres
The Dogon and Wayana representation in the french web: subsidy for a cultural critic. The Dogon and Wayana representation in the french web: subsidy for a cultural critic. 94-110 pp. Paula Morgado. Denise Dias.