¿Can the subaltern look at us? The cinema of Jean Rouch and the subaltern theory of Gayatri Spivak. ¿Can the subaltern look at us? The cinema of Jean Rouch and the subaltern theory of Gayatri Spivak. 1/11 pp. Carolina Arias.
Teachers in Cuban cinema and the resignification an old marginality. For a revision of De cierta manera (Sara Gómez, 1974). Teachers in Cuban cinema and the resignification an old marginality. For a revision of De cierta manera (Sara Gómez, 1974). 1/12 pp. Justo Planas.
An approach to the nocturnal for two watchful eyes: ethnographic and documentary about time and loneliness night watchmen. An approach to the nocturnal for two watchful eyes: ethnographic and documentary about time and loneliness night watchmen. 140-184 pp. Christian Estrada Ugarte.
Reality makeup. The "realism" of the indigenous in the film “Cautiverio Feliz”. Reality makeup. The "realism" of the indigenous in the film “Cautiverio Feliz”. 175 pp. Valentina Raurich.
On the visual rhetoric of "Cautiverio Feliz": a practical exercise in the anthropology of cinema. On the visual rhetoric of "Cautiverio Feliz": a practical exercise in the anthropology of cinema. 138 pp. Guillermo Molina.
Traces of the wonderful tale, morphological analysis of the film "Wichan: the Judgment". Traces of the wonderful tale, morphological analysis of the film "Wichan: the Judgment". 137 pp. Felipe Maturana Díaz.
"In the shadow of the sun" and the twilight of history’s times. "In the shadow of the sun" and the twilight of history’s times. 119 pp. Francisco Gallardo Ibáñez.
The western patagonian: the image of the native american in the image Selknam. The western patagonian: the image of the native american in the image Selknam. 118 pp. Gastón Carreño.
The transfiguration of the indigenous image. The artist, his work and the spectator. The transfiguration of the indigenous image. The artist, his work and the spectator. 117 pp. María Paz Bajas.
