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Revista de Antropología Visual

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Photographs, shadows, wraith II.

Photographs, shadows, wraith II.
28-34 pp.
Daniel Quiroz.

The secrets of the dark room and other photographic disturbances. Resources and procedures in the construction and assembly of an imaginary.

The secrets of the dark room and other photographic disturbances. Resources and procedures in the construction and assembly of an imaginary.
15-27 pp.
Margarita Alvarado.

Images of the border.

Images of the border.
1-14 pp.
Patricio Toledo.

Cinema at the Borders: Effects of Latin American cinema at the other side of the borders.

Cinema at the Borders: Effects of Latin American cinema at the other side of the borders.
157-176 pp.
Luna Meza Urrutia.

The camera in the fieldwork: methodological and ethical uses of the audiovisual recording in the world of the andean mapuche.

The camera in the fieldwork: methodological and ethical uses of the audiovisual recording in the world of the andean mapuche.
138-156 pp.
Pablo Rojas Bahamonde.
María Amalia Mellado.
Camila Morales García.

Dialogues between audio and visual issues, beyond video: exploring cultural diversity representations in early childhood at Bogotá.

Dialogues between audio and visual issues, beyond video: exploring cultural diversity representations in early childhood at Bogotá.
212-242 pp.
Marcela Pinilla.

From and to the indigenous people: Our video - production in Chiapas, Mexico.

From and to the indigenous people: Our video - production in Chiapas, Mexico.
80-103 pp.
Mariano Estrada Aguilar.
Axel Köhler.

Towards an indigenous cinema as people's memory metaphor and their resistance.

Towards an indigenous cinema as people's memory metaphor and their resistance.
64-79 pp.
Marta Rodríguez.

The past in black and white: The images of the Unidad Popular and the Chilean nation under the military dictatorship.

The past in black and white: The images of the Unidad Popular and the Chilean nation under the military dictatorship.
1-15 pp.
Carmen Gloria Godoy.

From Cidade de Deus to Isla Maciel. Photography as a way to social progress? Julian´s case: from auto-representation to documentalism.

From Cidade de Deus to Isla Maciel. Photography as a way to social progress? Julian´s case: from auto-representation to documentalism.
75-92 pp.
Ana D´Angelo.

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