This paper propose to relate writings by Walter Benjamin, Roland Barthes and Jacques Derrida, in order to review some considerations on the archive paradigm in conjunction with the photographic status. Propose to rethink these notions and open some problems for the analysis of contemporary artistic practices that use photographic archives as a strategy for the appropriation and rereading of representations, experiences and historical meanings. Finally, there are also some intersections between these reflections and a series of Latin American contemporary projects that propose creating collections based on domestic archives photographs.
Between the concept of archive and the photographic status. Walter Benjamin, Roland Barthes and Jacques Derrida, some relations for the analysis of contemporary artistic practices.Abstract in spanish
Keywords: photography,archive turn,contemporary art.
Author: Melina Constantakos. Licenciada y profesora en Artes, Facultad de Filosofía y Letras, Universidad de Buenos Aires. Maestranda en Sociología de la Cultura y Análisis Cultural, Escuela Interdisciplinaria de Altos Estudios Sociales, Universidad Nacional de San Martín. Becaria Conicet para el Doctorado en Ciencias Sociales (IGG -FCS, Universidad de Buenos Aires). https://orcid.org/0000-0002-1723-4925
Received: August 16th, 2020, Accepted: May 04th, 2021
Revista de Antropología Visual - número 29 - Santiago, 2021 -1/18 pp.- ISSN 2452-5189